Bloomquist may have included him to act as a foreshadowing figure, but there was even more context given to him once the radio DJ was bid adieu. Related: Dracula 1992: Why Winona Ryder Was Integral In Getting The Movie MadeĮrnie doesn't seem to be a major character, but the fact that he's carving a stake makes him one of the most important, as his first few minutes in Ten Minutes To Midnight foreshadows what happens to Amy. It is possible that he knew that something was bound to happen, but it still doesn't explain why he would immediately assume a vampire threat. By the time she slaughters everyone, it's clear that they were not, but it still begs the question as to why Ernie was carving a stake. This creates the illusion that he knows exactly what's going on and the events that take place during Amy's last night on the radio show were all premeditated. Perhaps one of the strangest aspects throughout the entirety of the movie is the fact that Ernie is carving a stake. Amy is transforming into a vampire and the entirety of the movie showcases how depraved a process that can be on an individual's mental state, unlike more common depictions presented in Dracula or Interview With The Vampire. Oftentimes, it appears to be a fever dream sprung on by the supposed rabies that Ernie believes she's contracted. She does become a vampire, but the journey there makes it seem as though she is undergoing some psychedelic and surrealist trip through the unknown. Except, in a strange turn of events, it is revealed that the bite took less than an hour to overwhelm her with vampiric DNA, leading her to bite Sienna (Nicole Kang). Inevitably, she will become a vampire before the night is over. Ten Minutes To Midnight quickly makes it clear that these bites on her neck are forcing Amy to undergo a bizarre transformation. The office security guard, Ernie (Nicholas Tucci) asks if it was the raccoons that did it, all while he carves a wooden stake. Here's a full breakdown of the ending and the true meaning of Amy's farewell party, explained.Īmy shows up to work with two strange puncture wounds on the side of her neck. Given its unique take on the vampire mythos, the surrealist nature of Ten Minutes To Midnight's ending leaves several questions unanswered that undoubtedly deserve an explanation. Amy Marlowe may be one of her best roles yet, as she asserts that her co-workers address the discourse of ageism in media industries and transforms the character into an unforgettably depraved and distraught woman whose sole desire is to be appreciated in her field. Williams is a multifaceted actor who has worked in numerous horror sub-genres, making her an obvious pick to portray a woman who is slowly turning into a vampire without fully realizing it. Related: Midsommar: How Florence Pugh's Dani Reinvents Scream Queens As such, she's become a major source of information regarding the history of the craft as well, and appeared as herself in the documentary, In Search Of Darkness. In Ten Minutes To Midnight, Williams takes on the role of leading lady as well as the person who dictates how the terrors of the night play out. ![]() ![]() Williams is well-known in the horror circuit, as her career has spanned nearly five decades. It's led by Caroline Williams, who broke through into mainstream horror when she landed the role of Vanita "Stretch" Brock in The Texas Chainsaw Massacre 2. Since then, she's starred in Rob Zombie's Halloween II, Blood Feast, and the first Hanukkah themed slasher flick, Hanukkah, appearing alongside fellow horror icon Sid Haig. As well shot (in Wales) and well mounted as the film may be, there’s a perfunctory feel to its chases, shootouts, close calls and shadowy behaviors, as well as to the often transparent dialogue.Erik Bloomquist is known for his 2018 mystery thriller Long Lost, but Ten Minutes To Midnight may be his most high profile movie to date with unforgettable cast members. It’s a potentially intriguing bit of fiction that plays out in, at best, serviceable ways. Meanwhile, Miller is on an urgent mission: to thwart a Nazi conspiracy to return the “Sieg Heil!”-saluting students to Germany and, in doing so, protect a British plot to use the girls as political pawns against the country’s looming enemy. (The school did, in fact, serve these young German visitors in the 1930s.)īut Miller is soon wanted in the mysterious death of the teacher (Nigel Lindsay) he replaced, and trouble ensues. He plays Thomas Miller, a British intelligence agent who goes undercover at the Augusta-Victoria College for Girls to teach English to the daughters and goddaughters of Nazi high command. ![]() The gender-fluid Izzard, a singularly talented and versatile performer, in this role is indistinct.
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